Hagel, Stefan (2021) Assessing unknown parameters of instrument finds by writing software. Archeologia e Calcolatori, 32 (1). pp. 403-421. ISSN 1120-6861
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Abstract
Music-archaeology can show exemplarily the potential as well as the dangers of digital approaches. Both are here illustrated using case studies from the field of virtual modelling the intended scales of ancient reed instruments, with a focus on the requirement of the closest possible collaboration between music-archaeologists and programmers from the planning stages of a project and throughout its development. On the one hand, the potential robustness of predictive algorithms is shown, on the other, methodological fallacies are exposed that have led to redundant results and consequently misguided interpretations, which however, due to the ubiquitous partition of expertise, have slipped through reviewing processes. Finally, the author amends a problematic detail in the approach underlying previous publications of his own, showing how reflecting the physiology of aulos playing more accurately may enhance the harmonicity of modelled pitch sets, which in turn lends further credibility to the general method.
Item Type: | Article |
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Additional Information: | Licensed under CC BY-NC-ND 4.0 |
Uncontrolled Keywords: | Virtual Reality and 3D Modelling; Classification of archaeological finds |
Subjects: | 900 Storia, Geografia e discipline ausiliarie > 930 Storia dei mondo antico fino al 499 ca. > 930.1 Archeologia (Classificare qui la Storia fino al 4000 a.C., l'Archeologia preistorica, le opere interdisciplinari sull'Archeologia) > 930.102 Archeologia - Opere miscellanee > 930.1028 Archeologia – Tecniche, metodologie, apparecchi e strumenti (comprende: Archeometria) > 930.10285 Archeologia – Applicazioni informatiche (comprende: tecniche di datazione) |
Depositing User: | Dott.ssa Paola Moscati |
Date Deposited: | 08 Apr 2024 14:35 |
Last Modified: | 08 Apr 2024 14:35 |
URI: | http://eprints.bice.rm.cnr.it/id/eprint/22811 |
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